I had two mixers this time - Paul André Fonarev and David Lankton - who did a fantastic job. One of their best ideas was to repurpose an unused music cue to give the climactic confrontation scene a lot more weight. It was scary adding music at the last minute to a scene that I'd conceived as music-less from the very beginning, but I'm confident that it was the right call.
This is the final version of the scene with the music cue:
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